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8 pages/≈2200 words
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Style:
Chicago
Subject:
Visual & Performing Arts
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Research Paper
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English (U.S.)
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Tabernacle or Folding Shrine. Visual & Performing Arts Research Paper

Research Paper Instructions:

Pick an object that you really like, from a NYC collection, something that falls within the dates of the things we are studying in our seminar (roughly speaking: prehistoric times to late 18th century) and something from a country, region, culture that interests you. This could be a room, a sculpture, a vase, a painting, armor, jewelry, chariot, porcelain cup, weapon, tapestry, furniture, instrument, and the list goes on and on. You have a huge selection.
Be creative!!! Yes, describe your object but describe it with LOVE, (assuming you love your object of choice.) This is not a formal analysis. I don’t need to know about every single detail. Just the details that matter. Yes, you SHOULD think about your object's visual/aesthetic characteristics: size, color(s), materials, textures, etc etc. But MORE IMPORTANT, consider the social & cultural CONTEXT: where/when was it made?, for whom was it made?, how was it made?, are there others like it?, was it for a private or elite audience?, or perhaps for a broader audience? Does it convey something about the intended "user” or "patron" or maybe it is more generic and may have been used by many different people or, perhaps, it appeared in a place for many people to see? How does/did the object convey its particular message/purpose and does it do so "successfully"? How did it "communicate"? What's "special" about the piece? This idea of being "special" is, of course, relative --- "special" might indicate that it was made using new technologies of the time period---technologies that may have been considered “modern”, or the workmanship was particularly exquisite, or it conveys its purpose in especially unusual ways, or it is somehow "poetic", that it may function on different levels or convey different narratives---narratives that relate to the object itself, but also to the larger culture, and relate, perhaps, even to something contemporary --- as I sometimes tried to do in class!!!
That is, it may have been made in a specific time and far-away place but, just maybe, it somehow speaks to something more current/contemporary to you as well. How might we think about ancient objects and then, perhaps, somehow make these things relevant to us in the present? Imagine even, that one day in the distant future, students may study your designs or artwork and question why/how those things may be significant to them? As I've said, one goal is to breathe life into this material, to imagine these things in a fully living/breathing/colorful, 3-dimensional world (not just some old stuff sitting statically and silently in a museum display case.) I think these are some of the ways we may make historical material resonate more for us. You might also contemplate such seemingly "abstract" ideas like the concept of time and perception of space which has been discussed in class. In the 21st century we all have radically different concepts of time and space --- so you might also take this into consideration. And, how might your object speak to you or perhaps make you consider your own work differently? (This would be an excellent opportunity to add something from class to your Learning Portfolio, which is something that I ask you to do anyway.)
Use your imagination and have some fun with this while also trying to be accurate and "scholarly" with your research. Think a bit about the film "Cave of Forgotten Dreams" which didn't directly relate to much of our subject matter yet, it beautifully addresses the very act of IMAGE & THING MAKING, of STORY TELLING & COMMUNICATION, and THE HUMAN IMPULSE TO INVENT, to SOLVE, and to be CREATIVE OR INNOVATIVE. Such an approach might open up different avenues for you to think about historical objects, and ultimately make for much richer and more interesting papers.
Please don't forget: it should be a minimum of 8 pages (NOT including title page, illustrations, footnotes, and bibliography), 12pt type, double-space (remember your footnote function on your laptops, as well as inserting page numbers. You want the paper to look and read like a university-level assignment, not high school, so all these little things are actually very important.) Please simply provide the basic, museum label information on the title page: name/title, type of object, date, material, dimensions, country, etc, etc. This info. is necessary but does not have to appear in the body of your papers.
I would like you all to consider which object you will write about for this final research paper since the semester ends next month! If you have time and feel like going to a museum at your leisure then this might be a good time to do this. Or, open up the Metropolitan Museum's website and peruse the collections. Try to find something that you not only really like but that will be relatively easy to do research on. Feel free to ask me what I think about a particular object, if you wish. I can also help you think about different ways to research and organize your paper. And remember, an Annotated Bibliography will be due approximately 2 weeks before the end of the semester.
AND remember:
All papers must be typed in Times New Roman font (12 points), be double-spaced, with a 1 inch margin on all sides, on white paper (size: 11” x 8.5”). Do NOT forget to put your name and a title page, and to number (paginate) your pages, and staple.

Research Paper Sample Content Preview:

Tabernacle or Folding Shrine
Name
Course
Professor’s Name
Due Date
Tabernacle or Folding Shrine
Introduction
In the 13th and 14th centuries, there was a rise in demand for small portable devotional shrines that were made of either metals or ivories with an elegant, tender and typical Virgin at the center. This study examines the Ivory Carving in the Gothic Era, 13th-15th centuries of the Tabernacle or Folding Shrine. The carvings of the wings are made stylistically rougher and basically richer in anecdotal charm. The Tabernacle of Folding Shrine is a polyptych statuette that dates back to 14th century and has a French cultural background. This study tends to provide description of a Gothic architecture and its influence on the later European architecture. There is full description of the object through the use of visual, size, textures, as well as materials. The description is done from the social as well as cultural context including the timeline of the sculpture which eventually conveys the particular purpose of the object. Visually the monument is made of ivory with metal mounts and the central panel is the statuette of the Virgin and the child. There are four hinged side panels that close around the central panel and serve the purposes of protecting the delicate central carving. As per description, the wings are carved in lower relief for the purposes of showing the scenes from childhood years of Christ. These carvings are done from every section, top to bottom, left to right. These include; the Visitation, the Annunciation, the Adoration of the Magi, the Nativity, and the Temple Presentation. It is interesting to note that in the scene where the Magi are presented, the Virgin and Child are missing. However, all the three Wise Men are presented facing the central Virgin and Child. The clear example as given by the Magi presents direction to the viewer on what is required of them which is: adore the portrait of the Virgin and Child.[“Heilbrunn Timeline of Art History: Ivory Carving in the Gothic Era, 13th-15th centuries.”] [Joseph, Natanson, “An essay on the art of ivory.” In Gothic Ivories of the 13th and 14th Centuries. London: Alec Tiranti Ltd., 1951.]
Style
The nature of the craft of ivory sculpture applicable in this case shows the epic of the ivory era of the 13th century, especially in France. There is much attention on every meaningful line that describes the facial features. This is for the purposes of depicting the prevailing emotions of the presented scene. The carving was less rigid but is full of expressions, therefore, replacing other styles that were stiff and less naturalistic. Mary is depicted as having emotions of concern and love towards the Child from the facial expression. The Magi is depicted as having faces full of admiration and adoration of the Child held in the Mother’s arms. One of the most recognized features of this artefact involves the aspect of being fluidly modelled as well having naturalistic drapery. The wrapping depicts individual drapery folds that clearly outline the different bodies in a subtle manner. The lines are very much recognizable since the sculpture is clearly shrouded with similarly folded drapery hanging loosely from al...
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